Sonya Alexander is a freelance entertainment journalist, academic writer and screenwriter who began her career as a talent agent-in-training. She also does script coverage.
‘Avatar: Fire and Ash’ Review
James Cameron’s Avatar: Fire and Ash comes on the heels of Avatar: The Way of Water (2022) and once again proves Cameron to be a master filmmaker who understands the magic of movies. Avatar: Fire and Ash not only visually and narratively immerses us in the world of Pandora again, it fully services the fans expectations.
‘Five Nights at Freddy’s 2’ Review
Emma Tammi returns at the helm of Five Nights at Freddy’s 2, but Scott Cawthon, the creator of the game, is the sole writer this time, and it seems like he still might be more comfortable with video game writing.
The Discernment of Filmmaking: Kleber Mendonça Filho Discusses ‘The Secret Agent’
Writer/director Kleber Mendonça Filho (Pictures of Ghosts, Bacurau) doesn’t believe in rushing the creative process and his latest film The Secret Agent is a good example of the time and care he puts into his projects.
Putting Your Stamp on an Adaptation: Edgar Wright and Michael Bacall Discuss ‘The Running Man’
Writer/director Edgar Wright’s (Baby Driver, Scott Pilgrim vs. the World) The Running Man is an adaptation he’s always dreamed of doing. He and collaborator Michael Bacall (Scott Pilgrim vs. the World, 21 Jump Street) first read the Richard Bachman (Stephen King’s pseudonym) book when they were teenagers and now have a different perspective on it as adults.
The Polyphonic Nature of a Strong Story: Joachim Trier and Eskil Vogt Discuss ‘Sentimental Value’
Award winning writer/director Joachim Trier’s (The Worst Person in the World, Thelma) latest film Sentimental Value examines how homelife is the genesis of personality, how being an artist can serve as emotional liberation, and the benefits of the deep bonds of sisterhood.
‘Predator: Badlands’ Review
Dan Trachtenberg’s (Prey, Predator: Killer of Killers) Predator: Badlands reminds us why certain films, if not all, have to be seen on the big screen. It’s visually compelling and action-packed.
Writing in the Southern Gothic Style
Understand the origins and nuancesof this Gothic subgenre to write atmospheric tales.
‘Black Phone 2’ Review
‘Black Phone 2’ is the perfect addition to the Halloween season. The contiguity of Gwen’s terrifying dreams and the reality of Finn’s experience reinforce why The Grabber has returned.
Tackling Primal Fear Through Writing: Kiah Roache-Turner Talks Making ‘Beast of War’
Filmmaker Kiah Roache-Turner discusses being inspired by true events, building a life-like shark, making monster movies, and more.
Habitat for Humanity: Zoë Eisenberg Talks Island Community in ‘Chaperone’
Male characters, whether protagonists or antagonists, often get to be messy and problematic and are still embraced by audiences to some degree. Does the same hold true for female characters?
Camera as Storyteller: Sean Ellis Discusses ‘The Cut’
Filmmaker Sean Ellis discusses how his background in photography and martial arts influences his work, the visual tone of the film, and more.
‘Downton Abbey: The Grand Finale’ Review
It doesn’t feel like the end but rather the closing of a chapter. ‘Downton Abbey: The Grand Finale’ gently and affirmatively shows the familial bond between the Crawleys and staff.
How to Deliver Natural Scares: Stephen Cognetti Talks ‘Hell House LLC: Lineage’
Haunted house attractions have been a staple of American culture since the late 60s, particularly during Halloween season. Disneyland’s The Haunted Mansion is a touchstone in scaring visitors in a visceral way. A few films have tackled the haunted house attraction setting, including The Houses October Built (2014) and Haunt (2019), but one of the most hairraising is Hell House LLC (2015) by filmmaker Stephen Cognetti.
2025 Fall/Winter Film and Television Preview
It’s that time of year again. As the days of summer wane, the crisp scent of fall is in the air. And with that, new movies are on the horizon to close out the year, and a plethora of television shows are set to debut or revisit us on networks and streaming platforms.
“Eddington” Review
Writer/director Ari Aster’s (Hereditary, Midsommar) Eddington is a blistering modern western that takes place during the COVID-19 era.