Sonya Alexander is a freelance entertainment journalist, academic writer and screenwriter who began her career as a talent agent-in-training. She also does script coverage.
THE WOMAN IN THE YARD – Review by Sonya Alexander
The Woman in the Yard is a psychological horror film that is strengthened by Danielle Deadwyler anchoring the film with her layered performance.
SNOW WHITE – Review by Sonya Alexander
The original Snow White and the Seven Dwarfs (1937) animated movie is a timeless classic. It used cel animation and groundbreaking Technicolor and received an Oscar nomination for Best Music (Scoring).
Dope Thief Showrunner Peter Craig on ‘the Ultimate Realization of Writing’
Peter Craig has co-written such recent hits as Top Gun: Maverick, The Batman, and Gladiator II, but he takes on directing and showrunning duties with Apple TV+ Dope Thief. He calls directing “the ultimate realization of writing.”
Using Sound to Establish Place: Line Langebek Knudsen Talks ‘The Girl with the Needle’
Writer/Producer Line Langebek Knudsen (I’ll Come Running) understands that the visual isn't just important in a narrative, but sound is as well.
New Faces on the Forefront: Oscars 2025
This year’s 97th Oscars had a plethora of first-time nominees in many categories. It’s difficult to believe that women with illustrious careers like Demi Moore and Fernanda Torres have never received any Oscar love.
Bite Size Oscar History: Documentary Feature Films and the Oscars
Documentaries can point to societal ills or looming political upheaval. Depending on how well they're made, they can move the socio-political needle on an issue and create change.
Discovering the Light and Shadows of Naples: Trudie Styler Discusses ‘Posso entrare? An Ode to Naples’
Trudie Styler discusses finding the soul of Naples while filming 'Posso entrare? An Ode to Naples' and exploring the historical and socio-economic wounds of this ancient metropolis and how it heals itself and survives through its people’s resilience, ideals, and creativity.
Bite Size Oscar History: Foreign Language Films Nominated for Best Picture
Which non-English language film was the first to nab the top prize for Best Picture?
Bite Size Oscar History: The History of Horror at the Oscars
The Academy of Motion Picture Arts and Sciences rarely acknowledges horror. Only a handful of horror films have been nominated for Best Picture. The Exorcist (1973) and Jaws (1975) are a couple of films in this exclusive club.
The Gorge Director Scott Derrickson on Miles Teller’s Fidelity and Anya-Taylor Joy’s Surprises
Scott Derrickson, director of Apple TV+’s new The Gorge, is best-known for directing horror films he co-writes, including The Exorcism of Emily Rose, Sinister, and The Black Phone. When he takes on a project he didn’t write, like The Gorge, there’s one main thing he looks for in a script. “I’m looking to be surprised,” he tells MovieMaker.
THE MONKEY – Review by Sonya Alexander
Osgood Perkins’s The Monkey is a bloody good time at the movies. Rippling with an undercurrent of black humor, the real horror isn’t just the hexing monkey, but the rancid relationship between twin brothers Hal and Bill, played by Christian Convery when they’re kids and Theo James when they’re adults.
Bite Size Oscar History: The First Oscar for Best Picture
Join us as we celebrate the magic of the movies weekly until the Oscars airs on March 2, 2025.
Love Hurts Director Jonathan ‘JoJo’ Eusebio on Stunts and Romance
Love Hurts director Jonathan “JoJo” Eusebio came to filmmaking from the world of martial arts: In the ’90s, he attended the Los Angeles-area Inosanto Academy of Martial Arts, where he met fellow practitioners David Leitch and Chad Stahelski.
THE FIRST WORD IN HORROR – Review by Sonya Alexander
The fifteen-part series The First Word in Horror is a must for horror fans and aspiring writers. New York Times best-selling and award-winning horror writers discuss how they started writing horror and they also read excerpts from their work. Some passages are not for the squeamish. These are nightmare-fuel bedtime stories.
INHERITANCE – Review by Sonya Alexander
Neil Burger’s Inheritance is an old-fashioned thriller with plenty of solid chase scenes and plot twists. Phoebe Dynevor (Bridgerton, Fair Play) as Maya, the average citizen-turned-spy-on-the-run is convincing as a woman out of touch with her feelings who gets in touch with them in the most corporeal way.